Imperial Island – Charlotte Lydia Riley

Description

After the Second World War, Britain’s overseas empire disintegrated. As white settlers from Rhodesia returned home to a country they barely recognised, Commonwealth citizens from Asia and the Caribbean migrated to a motherland that often refused to recognise them. Race riots erupted in Liverpool and Notting Hill even as communities lived and loved across the colour line. In the 1950s and 60s, imperial violence came home too, pervading the policing of immigrant communities, including their sex lives. In the decade that followed, a surge of support for the far-right inspired an invigorated anti-racist movement.

These tensions, and the imperial mindset that birthed them, have dominated Britain’s relationship with itself and the world ever since: from the jingoism of the Falklands War to the simplistic moral equation of Band Aid, from the rise of the gap year abroad to the invasion of Iraq. Most recently, in the tragedy of Stephen Lawrence and the opening ceremony of the 2012 Olympics, we see how Britain’s contradictory relationship with its past has undermined its self-image as a multicultural nation, helping explain the Windrush deportations and Brexit.

Drawing on a mass of new research, from personal letters to pop culture, Imperial Island tells a story of immigration and fractured identity, of social strife and communal solidarity, of people on the move and of a people wrestling with their past. It is the story that best explains Britain today.